Lives and works in Albuquerque, NM

AWARDS/GRANTS

2014 Albuquerque FunD Grant for Adaptations exhibition

2011 Albuquerque Community Foundation Grant

2002 1% Public Art commission awarded for Tools of Heroism

2001 An Uncommon Legacy Foundation, New York,NY

1995 Orton Purchase Award

EXHIBITIONS * solo exhibition

2015 Site Scholars, Peters Projects, Santa Fe, NM

the Human Drift, SCA Contemporary Art, Albuquerque, NM

2013 Survival Tactics, Purdue University Gallery, West Lafayette, IN

2012 Survival Tactics, ISEA Conference, Albuquerque, NM

2011 dis*placement. Urban Institute for Contemporary Arts, Grand Rapids, MI

2009 Sculpture As Analogy to Landscape. Curated by Steve Barry,

Albuquerque, NM

Capitalism: Fueled by Greed & Envy. SCA Contemporary Art,

Albuquerque, NM* Included collaboration culminating in a performance

of spoken word with Valerie Martinez, Jasmine Cuffee, Renee Gregorio &

Maureen Seaton.

2008 Cerca Contigua (Border Fence). Permanent Installation at The Land/An

Art Site. Albuquerque, NM*

2007 Engendered Species. California State University, Gatov

& Merlino Galleries.Long Beach, CA.

Engendered Species. Advocate Gallery, Los Angeles, CA.

2006 A Good Fence: 1913-2005. The Land/An Art Site,

Mountainair, NM (permanent installation)

2004 Lessons in Being. Inpost Artspace, Albuquerque, NM.* Exploring Gender

Roles. Seton Hall University, NJ, Juror, Sue Scott.

Pleasureworks II. SCA Gallery, Pomona, CA.

2003 Pleasureworks. Fort 208, Albuquerque, NM.

2002 Mark My Words: text in visual art, Magnifico, Albuquerque.

Tools of Heroism. Firestation #14, Albuquerque, NM.

commissioned by the Albuquerque 1% Arts Program.*

2001 Dirty Weekend. American Motel, HWY 66, Albuquerque, NM.

Window Project. Downtown Albuquerque, Albuquerque, NM.*

Soft Feelings. Tamarind Institute, Albuquerque, NM.

Mish-Mosh. GOICA Gallery, Tucson, AZ. Julie Sasse, Curator Tucson

Museum of Art.

Seventh Juried Graduate Exhibition. Albuquerque, NM. Jurors: Diane

Armitage, Phillis Ideal. (catalogue)

Strand. Master’s Thesis Exhibition Albuquerque, NM.*

2000 Cultural Propaganda. site-specific collaboration with

Rebecca Blankley.

Sanctioned. Albuquerque Contemporary Art Center.*

1999 Space 209. ARC Gallery, Albuquerque, NM.*

Fifth Annual Juried Graduate Exhibition. Albuquerque, NM, Jurors: Louis

Grachos Curator, Site Santa Fe & Emmi Whitehorse. (catalogue)

Trunk. University of Colorado at Boulder, Boulder, CO.

1997 Lotsa Clay IV. The Clay Studio, Philadelphia, PA.

PUBLICATIONS

Wesley Pulka, Must See Show, Albuquerque Journal, Sunday Arts

Section, March 29, 2015(review/image)

Susan Wider, The Human Drift, THE Magazine, May, 2015 (review)

Diane Armitage, Landscape As Analogy, THE Magazine, November

(review)

LandART, published 2010, Radius Books.

Cheh, Carol, Pleasurework, Art Papers, July/Aug 2003, p.48 (review).

Pulka, Wesley, Exhibit Exceeds Previous Shows, The

Albuquerque Journal, Sunday Arts Section, April 22,

2001, F-3. (review/photograph)

Allan, Steven Robert, Out on the Street, Art Pics, Weekly

Alibi, Volume 9, No. 33, August 17, 2000 (review/photograph).

Lee, Jeffrey, Stone and Trailer Memory, Weekly Alibi,

Volume 8, No. 40, October 7, 1999, p. 22 (review/photograph).

Moore, S. Derrickson, Corbett Center Shines, Las Cruces Sun-News,

February 21, 1998, C-3 (review/photograph).

International Cone Box Show, Ceramics Monthly, January, 1995, p. 25-

30, illus. p. 30 (review/photograph).

CONFERENCES / SYMPOSIA

Creative Core, 516 Arts, panel presenter, 2014.

Autobiography As Subject Matter, 2000, University Art

Museum, Albuquerque, NM.

Multi-media Artists,1999, University Art Museum,

Albuquerque, NM.

Queer Art: Is there an aesthetic?, 1999, panel discussion

moderated by Kay Whitney, writer for Sculpture magazine,

University Art Museum, Albuquerque, NM.

COLLECTIONS

The Land An art site, inc. Mountainaire, NM & Albuquerque

Orton inc., City of Albuquerque Public Art Program,

Chun Woo Nam, Seoul, Korea, Hong Ik University, Seoul, Korea.

Uncommon Legacy Foundation, New York, NY

Numerous other private collections.